{"id":3624,"date":"2022-01-06T00:36:17","date_gmt":"2022-01-05T23:36:17","guid":{"rendered":"https:\/\/www.lilianacavani.it\/home\/productions\/documentaries\/"},"modified":"2023-01-11T20:53:44","modified_gmt":"2023-01-11T19:53:44","slug":"documentaries","status":"publish","type":"page","link":"https:\/\/www.lilianacavani.it\/en\/productions\/documentaries\/","title":{"rendered":"Documentaries"},"content":{"rendered":"

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Productions: Documentaries<\/h1> <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n \n The Military Life (1961) <\/span>\n\n \n \n <\/span>\n <\/h1>\n<\/div>\n\n\n
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TECHNICAL SPECIFICATIONS<\/h4>\n
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editing<\/span><\/strong><\/em>: Franco Attenni
animation<\/span><\/strong><\/em>: Recta Film
director<\/span><\/strong><\/em>: Liliana Cavani
producer<\/span><\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/span><\/strong><\/em>: on RAI 2, rubrica “Racconti dell’Italia di ieri”
origin<\/span><\/strong><\/em>: Italy
film<\/span><\/strong><\/em>: 16 mm, black and white
lenght<\/span><\/strong><\/em>: 11 minuti<\/p>\n<\/div> <\/div>\n<\/div>\n\n

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\n \n The Bureucrat (1961) <\/span>\n\n \n \n <\/span>\n <\/h1>\n<\/div>\n\n\n
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\n

TECHNICAL SPECIFICATIONS<\/h4>\n

collaboration<\/span><\/strong><\/em>: Livio Zanetti, Luigi Villa
sketches<\/span><\/strong><\/em>: Pino Zac
photography<\/span><\/strong><\/em>: Colombo Pieraccioli
editing<\/span><\/strong><\/em>: Gianbattista Mussetto
director<\/span><\/strong><\/em>: Liliana Cavani
producer<\/span><\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/span><\/strong><\/em>: on RAI 2, in the series “Osservatorio”
origin<\/span><\/strong><\/em>: Italy
film<\/span><\/strong><\/em>: 16 mm, black and white
lenght<\/span><\/strong><\/em>: 16 minutes<\/p> <\/div>\n<\/div>\n\n

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\n \n History of the Third Reich (1962) <\/span>\n\n \n \n <\/span>\n <\/h1>\n<\/div>\n\n\n
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TECHNICAL SPECIFICATIONS<\/h4>\n

consultant<\/span><\/strong><\/em>: Mario Bendiscioli
narration<\/span><\/strong><\/em>: Giacomo Cesaro, Italo Alighiero Chiusano, Boris Ulianich
editing<\/span><\/strong><\/em>: Franco Attenni, Ettore Salvi
music<\/span><\/strong><\/em>: Daniele Paris
director<\/span><\/strong><\/em>: Liliana Cavani
producer<\/span><\/strong><\/em>: RAI Radiotelevisione Italiana; a four-part documentary
aired<\/span><\/strong><\/em>: on RAI 1 and RAI 2, in the series “Anni d’Europa”
origin<\/span><\/strong><\/em>: Italy
film<\/span><\/strong><\/em>: 35 mm e 16 mm, black and white
lenght<\/span><\/strong><\/em>: 203 minutes<\/p> <\/div>\n<\/div>\n\n

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\n \n Housing in Italy (1964) <\/span>\n\n \n \n <\/span>\n <\/h1>\n<\/div>\n\n\n
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\n

TECHNICAL SPECIFICATIONS<\/h4>\n

consultant<\/span><\/strong><\/em>: Alberto Ronchey, Filippo Ponti
narration<\/span><\/strong><\/em>: Fabrizio Dentice
collaboration<\/span><\/strong><\/em>: Rina Macrelli, Salvatore Conoscente
photography<\/span><\/strong><\/em>: Franco Solito
editing<\/span><\/strong><\/em>: Franco Attenni
music<\/span><\/strong><\/em>: Peppino De Luca
narrators<\/span><\/strong><\/em>: Arnoldo Fo\u00e0, Alberto Lupo
production organizer<\/span><\/strong><\/em>: Gianmaria Messeri, Aldo Scimonelli
director<\/span><\/strong><\/em>: Liliana Cavani
producer<\/span><\/strong><\/em>: RAI Radiotelevisione Italiana; serie in 4 parti
aired<\/span><\/strong><\/em>: on RAI 1
origin<\/span><\/strong><\/em>: Italy
film<\/span><\/strong><\/em>: 16 mm, black and white
lenght<\/span><\/strong><\/em>: 165 minutes<\/p> <\/div>\n<\/div>\n\n

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\n \n Day of Peace (1965) <\/span>\n\n \n \n <\/span>\n <\/h1>\n<\/div>\n\n\n
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TECHNICAL SPECIFICATIONS<\/h4>\n

narration<\/span><\/strong><\/em>: Alfonso Gatto
collaboration<\/span><\/em><\/strong>: Rina Macrelli
photography<\/span><\/strong><\/em>: Sandro Messina, Klaus Philipp
editing<\/span><\/strong><\/em>: Franco Attenni
music<\/span><\/strong><\/em>: Peppino De Luca
narrator<\/span><\/strong><\/em>: Arnoldo Fo\u00e0
production organizer<\/span><\/strong><\/em>: Remo Odevaine
director<\/span><\/strong><\/em>: Liliana Cavani
producer<\/span><\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/span><\/strong><\/em>: on RAI 2
origin<\/span><\/strong><\/em>: Italy
film<\/span><\/strong><\/em>: 16 mm, black and white
lenght<\/span><\/strong><\/em>: 49 minutes<\/p> <\/div>\n<\/div>\n\n

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\n \n Philippe P\u00e9tain. Trial at Vichy (1965) <\/span>\n\n \n \n <\/span>\n <\/h1>\n<\/div>\n\n\n
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TECHNICAL SPECIFICATIONS<\/h4>\n
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research and documentation<\/span><\/strong><\/em>: Franca Caprino
photography<\/span><\/strong><\/em>: Misha Tzigoyan, Sandro Messina
editing<\/span><\/strong><\/em>: Domenico Gorgolini
music<\/span><\/strong><\/em>: Peppino De Luca
narrator<\/span><\/strong><\/em>: Giancarlo Sbragia
production organizer<\/span><\/strong><\/em>: Eva De Muschietti Chiesa, Amedeo Puthod
director<\/span><\/strong><\/em>: Liliana Cavani
producer<\/span><\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/span><\/strong><\/em>: on RAI 2, in the series “Primo piano”
origin<\/span><\/strong><\/em>: Italy
film<\/span><\/strong><\/em>: 16 mm, black and white
lenght<\/span><\/strong><\/em>: 47 minutes<\/p>\n

Awards<\/span><\/strong><\/em>:
“Leone d’oro”<\/span><\/strong><\/em>, Venice Film Festival (documentary section), 1965;
“Targa Este”<\/span><\/strong><\/em>, VII Premio dei Colli, 1966<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div> <\/div>\n<\/div>\n <\/div>\n

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\n \n Theater People (1962) <\/span>\n\n \n \n <\/span>\n <\/h1>\n<\/div>\n\n\n
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TECHNICAL SPECIFICATIONS<\/h4>\n

photography<\/span><\/strong><\/em>: Franco De Cristofaro
editing<\/span><\/strong><\/em>: Franco Attenni
director<\/span><\/strong><\/em>: Liliana Cavani
producer<\/span><\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/span><\/strong><\/em>: on RAI 2, in the series “Racconti dell’ltalia di ieri”
origin<\/span><\/strong><\/em>: Italy
film<\/span><\/strong><\/em>: 16 mm, black and white
lenght<\/span><\/strong><\/em>: 12 minutes<\/p> <\/div>\n<\/div>\n\n

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\n \n Assault on the Consumer (1961) <\/span>\n\n \n \n <\/span>\n <\/h1>\n<\/div>\n\n\n
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TECHNICAL SPECIFICATIONS<\/h4>\n

collaboration<\/span><\/strong><\/em>: Nello Ajello
sketches<\/span><\/strong><\/em>: Pino Zac
photography<\/span><\/strong><\/em>: Ettore Carnevali
editing<\/span><\/strong><\/em>: Franca Di Lorenzo
director<\/span><\/strong><\/em>: Liliana Cavani
producer<\/span><\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/span><\/strong><\/em>: on RAI 2, in the series “Osservatorio”
origin<\/span><\/strong><\/em>: Italy
film<\/span><\/strong><\/em>: 16 mm, black and white
lenght<\/span><\/strong><\/em>: 18 minutes<\/p> <\/div>\n<\/div>\n\n

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\n \n The Age of Stalin (1963) <\/span>\n\n \n \n <\/span>\n <\/h1>\n<\/div>\n\n\n
\n
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TECHNICAL SPECIFICATIONS<\/h4>\n

consultant<\/span><\/strong><\/em>: Giorgio Galli
narration<\/span><\/strong><\/em>: Giorgio Galli
editing<\/span><\/strong><\/em>: Ettore Salvi
music<\/span><\/strong><\/em>: Daniele Paris
director<\/span><\/strong><\/em>: Liliana Cavani
producer<\/span><\/em><\/strong>: RAI Radiotelevisione Italiana; a three-part documentary
aired<\/span><\/strong><\/em>: on RAI 2, in the series “Anni d’Europa”
origin<\/span><\/strong><\/em>: Italy
film<\/span><\/strong><\/em>: 16 mm, black and white
lenght<\/span><\/strong><\/em>: 184 minutes<\/p> <\/div>\n<\/div>\n\n

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\n \n My Brother Jesus (1965) <\/span>\n\n \n \n <\/span>\n <\/h1>\n<\/div>\n\n\n
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TECHNICAL SPECIFICATIONS<\/h4>\n

collaboration<\/span><\/strong><\/em>: Rina Macrelli
photography<\/span><\/strong><\/em>: Sandro Messina
editing<\/span><\/strong><\/em>: Domenico Gorgolini
music<\/span><\/strong><\/em>: Peppino De Luca
narrator<\/span><\/strong><\/em>: Giancarlo Sbragia
production organizer<\/span><\/strong><\/em>: Amedeo Puthod
director<\/span><\/strong><\/em>: Liliana Cavani
producer<\/span><\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/span><\/strong><\/em>: on RAI 2
origin<\/span><\/strong><\/em>: Italy
lenght<\/span><\/strong><\/em>: 46 minutes<\/p>\n

Awards<\/span><\/strong><\/em>:
“Premio Italia”<\/strong><\/em><\/span> (UNDA), 1964<\/p> <\/div>\n<\/div>\n\n

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\n \n The Woman of the Resistance (1965) <\/span>\n\n \n \n <\/span>\n <\/h1>\n<\/div>\n\n\n
\n
\n

TECHNICAL SPECIFICATIONS<\/h4>\n

narration<\/span><\/strong><\/em>: Paolo Glorioso
collaboration<\/span><\/strong><\/em>: Rina Macrelli
photography<\/span><\/strong><\/em>: Mario Dolci
sound<\/span><\/strong><\/em>: Enzo D’Alfonso
editing<\/span><\/strong><\/em>: Jenner Menghi
music<\/span><\/strong><\/em>: Antonio Tealdo
narrator<\/span><\/strong><\/em>: Riccardo Cucciolla
director<\/span><\/strong><\/em>: Liliana Cavani
producer<\/span><\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/span><\/strong><\/em>: on RAI 2, in the series “Prima pagina”
origin<\/span><\/strong><\/em>: Italy
film<\/span><\/strong><\/em>: 16 mm, black and white
lenght<\/span><\/strong><\/em>: 48 minutes<\/p>\n

Awards<\/span><\/strong><\/em>:
“Medusa d’argento”,<\/span><\/strong><\/em> VI Premio dei Colli, Este, 1965<\/p> <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Productions<\/h3> <\/div>\n<\/div>\n
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\n \n
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Movies<\/a><\/h4> <\/div>\n<\/div>\n <\/div>\n
\n \n
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Shorts<\/a><\/h4> <\/div>\n<\/div>\n <\/div>\n
\n \n
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Documentaries<\/a><\/h4> <\/div>\n<\/div>\n <\/div>\n
\n \n
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Opera<\/a><\/h4> <\/div>\n<\/div>\n <\/div>\n
\n \n
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Prose<\/a><\/h4> <\/div>\n<\/div>\n <\/div>\n
\n \n
\n
\n

Screenplays<\/a><\/h4> <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":3604,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3624","page","type-page","status-publish","hentry","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"builder_content":"

Productions: Documentaries<\/h1>\n

The Military Life (1961)<\/h1>\n

TECHNICAL SPECIFICATIONS<\/h4>\n

editing<\/strong><\/em>: Franco Attenni
animation<\/strong><\/em>: Recta Film
director<\/strong><\/em>: Liliana Cavani
producer<\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/strong><\/em>: on RAI 2, rubrica \"Racconti dell'Italia di ieri\"
origin<\/strong><\/em>: Italy
film<\/strong><\/em>: 16 mm, black and white
lenght<\/strong><\/em>: 11 minuti<\/p>\n

The Bureucrat (1961)<\/h1>\n

TECHNICAL SPECIFICATIONS<\/h4>

collaboration<\/strong><\/em>: Livio Zanetti, Luigi Villa
sketches<\/strong><\/em>: Pino Zac
photography<\/strong><\/em>: Colombo Pieraccioli
editing<\/strong><\/em>: Gianbattista Mussetto
director<\/strong><\/em>: Liliana Cavani
producer<\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/strong><\/em>: on RAI 2, in the series \"Osservatorio\"
origin<\/strong><\/em>: Italy
film<\/strong><\/em>: 16 mm, black and white
lenght<\/strong><\/em>: 16 minutes<\/p>\n

History of the Third Reich (1962)<\/h1>\n

TECHNICAL SPECIFICATIONS<\/h4>

consultant<\/strong><\/em>: Mario Bendiscioli
narration<\/strong><\/em>: Giacomo Cesaro, Italo Alighiero Chiusano, Boris Ulianich
editing<\/strong><\/em>: Franco Attenni, Ettore Salvi
music<\/strong><\/em>: Daniele Paris
director<\/strong><\/em>: Liliana Cavani
producer<\/strong><\/em>: RAI Radiotelevisione Italiana; a four-part documentary
aired<\/strong><\/em>: on RAI 1 and RAI 2, in the series \"Anni d'Europa\"
origin<\/strong><\/em>: Italy
film<\/strong><\/em>: 35 mm e 16 mm, black and white
lenght<\/strong><\/em>: 203 minutes<\/p>\n

Housing in Italy (1964)<\/h1>\n

TECHNICAL SPECIFICATIONS<\/h4>

consultant<\/strong><\/em>: Alberto Ronchey, Filippo Ponti
narration<\/strong><\/em>: Fabrizio Dentice
collaboration<\/strong><\/em>: Rina Macrelli, Salvatore Conoscente
photography<\/strong><\/em>: Franco Solito
editing<\/strong><\/em>: Franco Attenni
music<\/strong><\/em>: Peppino De Luca
narrators<\/strong><\/em>: Arnoldo Fo\u00e0, Alberto Lupo
production organizer<\/strong><\/em>: Gianmaria Messeri, Aldo Scimonelli
director<\/strong><\/em>: Liliana Cavani
producer<\/strong><\/em>: RAI Radiotelevisione Italiana; serie in 4 parti
aired<\/strong><\/em>: on RAI 1
origin<\/strong><\/em>: Italy
film<\/strong><\/em>: 16 mm, black and white
lenght<\/strong><\/em>: 165 minutes<\/p>\n

Day of Peace (1965)<\/h1>\n

TECHNICAL SPECIFICATIONS<\/h4>

narration<\/strong><\/em>: Alfonso Gatto
collaboration<\/em><\/strong>: Rina Macrelli
photography<\/strong><\/em>: Sandro Messina, Klaus Philipp
editing<\/strong><\/em>: Franco Attenni
music<\/strong><\/em>: Peppino De Luca
narrator<\/strong><\/em>: Arnoldo Fo\u00e0
production organizer<\/strong><\/em>: Remo Odevaine
director<\/strong><\/em>: Liliana Cavani
producer<\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/strong><\/em>: on RAI 2
origin<\/strong><\/em>: Italy
film<\/strong><\/em>: 16 mm, black and white
lenght<\/strong><\/em>: 49 minutes<\/p>\n

Philippe P\u00e9tain. Trial at Vichy (1965) <\/h1>\n

TECHNICAL SPECIFICATIONS<\/h4>\n

research and documentation<\/strong><\/em>: Franca Caprino
photography<\/strong><\/em>: Misha Tzigoyan, Sandro Messina
editing<\/strong><\/em>: Domenico Gorgolini
music<\/strong><\/em>: Peppino De Luca
narrator<\/strong><\/em>: Giancarlo Sbragia
production organizer<\/strong><\/em>: Eva De Muschietti Chiesa, Amedeo Puthod
director<\/strong><\/em>: Liliana Cavani
producer<\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/strong><\/em>: on RAI 2, in the series \"Primo piano\"
origin<\/strong><\/em>: Italy
film<\/strong><\/em>: 16 mm, black and white
lenght<\/strong><\/em>: 47 minutes<\/p>

Awards<\/strong><\/em>:
\"Leone d'oro\"<\/strong><\/em>, Venice Film Festival (documentary section), 1965;
\"Targa Este\"<\/strong><\/em>, VII Premio dei Colli, 1966<\/p>\n

Theater People (1962)<\/h1>\n

TECHNICAL SPECIFICATIONS<\/h4>

photography<\/strong><\/em>: Franco De Cristofaro
editing<\/strong><\/em>: Franco Attenni
director<\/strong><\/em>: Liliana Cavani
producer<\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/strong><\/em>: on RAI 2, in the series \"Racconti dell'ltalia di ieri\"
origin<\/strong><\/em>: Italy
film<\/strong><\/em>: 16 mm, black and white
lenght<\/strong><\/em>: 12 minutes<\/p>\n

Assault on the Consumer (1961)<\/h1>\n

TECHNICAL SPECIFICATIONS<\/h4>

collaboration<\/strong><\/em>: Nello Ajello
sketches<\/strong><\/em>: Pino Zac
photography<\/strong><\/em>: Ettore Carnevali
editing<\/strong><\/em>: Franca Di Lorenzo
director<\/strong><\/em>: Liliana Cavani
producer<\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/strong><\/em>: on RAI 2, in the series \"Osservatorio\"
origin<\/strong><\/em>: Italy
film<\/strong><\/em>: 16 mm, black and white
lenght<\/strong><\/em>: 18 minutes<\/p>\n

The Age of Stalin (1963)<\/h1>\n

TECHNICAL SPECIFICATIONS<\/h4>

consultant<\/strong><\/em>: Giorgio Galli
narration<\/strong><\/em>: Giorgio Galli
editing<\/strong><\/em>: Ettore Salvi
music<\/strong><\/em>: Daniele Paris
director<\/strong><\/em>: Liliana Cavani
producer<\/em><\/strong>: RAI Radiotelevisione Italiana; a three-part documentary
aired<\/strong><\/em>: on RAI 2, in the series \"Anni d'Europa\"
origin<\/strong><\/em>: Italy
film<\/strong><\/em>: 16 mm, black and white
lenght<\/strong><\/em>: 184 minutes<\/p>\n

My Brother Jesus (1965)<\/h1>\n

TECHNICAL SPECIFICATIONS<\/h4>

collaboration<\/strong><\/em>: Rina Macrelli
photography<\/strong><\/em>: Sandro Messina
editing<\/strong><\/em>: Domenico Gorgolini
music<\/strong><\/em>: Peppino De Luca
narrator<\/strong><\/em>: Giancarlo Sbragia
production organizer<\/strong><\/em>: Amedeo Puthod
director<\/strong><\/em>: Liliana Cavani
producer<\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/strong><\/em>: on RAI 2
origin<\/strong><\/em>: Italy
lenght<\/strong><\/em>: 46 minutes<\/p>

Awards<\/strong><\/em>:
\"Premio Italia\"<\/strong><\/em> (UNDA), 1964<\/p>\n

The Woman of the Resistance (1965)<\/h1>\n

TECHNICAL SPECIFICATIONS<\/h4>

narration<\/strong><\/em>: Paolo Glorioso
collaboration<\/strong><\/em>: Rina Macrelli
photography<\/strong><\/em>: Mario Dolci
sound<\/strong><\/em>: Enzo D'Alfonso
editing<\/strong><\/em>: Jenner Menghi
music<\/strong><\/em>: Antonio Tealdo
narrator<\/strong><\/em>: Riccardo Cucciolla
director<\/strong><\/em>: Liliana Cavani
producer<\/strong><\/em>: RAI Radiotelevisione Italiana
aired<\/strong><\/em>: on RAI 2, in the series \"Prima pagina\"
origin<\/strong><\/em>: Italy
film<\/strong><\/em>: 16 mm, black and white
lenght<\/strong><\/em>: 48 minutes<\/p>

Awards<\/strong><\/em>:
\"Medusa d'argento\",<\/strong><\/em> VI Premio dei Colli, Este, 1965<\/p>\n

Productions<\/h3>\n

Movies<\/a><\/h4>\n

Shorts<\/a><\/h4>\n

Documentaries<\/a><\/h4>\n

Opera<\/a><\/h4>\n

Prose<\/a><\/h4>\n

Screenplays<\/a><\/h4>","_links":{"self":[{"href":"https:\/\/www.lilianacavani.it\/en\/wp-json\/wp\/v2\/pages\/3624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lilianacavani.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lilianacavani.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lilianacavani.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lilianacavani.it\/en\/wp-json\/wp\/v2\/comments?post=3624"}],"version-history":[{"count":12,"href":"https:\/\/www.lilianacavani.it\/en\/wp-json\/wp\/v2\/pages\/3624\/revisions"}],"predecessor-version":[{"id":5331,"href":"https:\/\/www.lilianacavani.it\/en\/wp-json\/wp\/v2\/pages\/3624\/revisions\/5331"}],"up":[{"embeddable":true,"href":"https:\/\/www.lilianacavani.it\/en\/wp-json\/wp\/v2\/pages\/3604"}],"wp:attachment":[{"href":"https:\/\/www.lilianacavani.it\/en\/wp-json\/wp\/v2\/media?parent=3624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}